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CLASS DESCRIPTIONS

SATURDAY MARCH 19TH

MORNING

• Studio A – 9:00AM – 11:00AM Sat March 19th

PIXIE FORDTEARS
“Fireball & Honey”

A dynamic choreography slathered with gooey movement, crisp attacks, and delicious recoil! You will learn some of Pixie’s signature style from her cross training and how she integrates it into her dance. You will learn how she hears music through movement! 

 

 

TBA TEACHER BIO

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PIXIE FORDTEARS BIO

Pixie Fordtears hails from Oakland CA. She is a touring dancer with Beats Antique and Zoe Jakes’ dance company, Coven! She also is the choreographer and director of Eclipse Dance Company. Pixie enjoys cross training when she can in Popping, Waving, Gliding, Hip Hop,, and Yoga. You can see this weave through her 13 years of bellydance training when she performs! She loves to Share the knowledge she has learned through her life in an inclusive way – let’s play!

AFTERNOON

• Studio A – 2:30PM – 5:00PM Sat March 19th

MICHELLE SORENSEN – MINI INTENSIVE – MUST ENROLL FOR ALL THREE DAYS

“Strong, Beautiful, Worthy”

In this 3 day mini-intensive, we will focus on combining a variety of modalities to create a well-rounded and diverse training. Each day we will dive into 3 central themes: STRONG, BEAUTIFUL, & WORTHY.

In the STRONG portion of class, we will warm up and prepare our bodies for more fluid movement through strength and mobility work designed to energize you instead of deplete you! Dance technique work will also make an appearance.

We will then move on to the BEAUTIFUL portion of class where we will explore more sensual movements, with a portion of that being floorwork. Come prepared each day with knee pads and socks to aid in moving fluidly on the floor. 

The final part of the day, we will explore what WORTHY means to us, by incorporating some freestyle movement guided by specific prompts, as well as experimenting with emotionality in our flow. 

I feel honored to be a guest on this journey we will take together!

 

MICHELLE SORENSEN BIO

Michelle Sorensen is a professional fusion artist with over a decade of dedicated dance training. As a forever student, she has sought instruction from some of the most innovative dancers in and out of the fusion and MENATH scenes. Along with MENATH inspired dance styles, she has developed a love for Pole Dance, Waving, and various Floorwork oriented dance styles.

As a teacher, she has a passion for creating containers and spaces where others can grow emotionally and artistically. She hopes to touch the hearts of those she teaches through vulnerability, honesty, and unwavering love for movement in all it’s beautiful forms.

Her life is also filled with being a full-time mother, fitness enthusiast, a collector of interesting psychology reads, and a plant hoarder.

She is available for instruction, private lessons, and workshops both locally and internationally

MICHELLE SORENSEN BIO

Michelle Sorensen is a professional fusion artist with over a decade of dedicated dance training. As a forever student, she has sought instruction from some of the most innovative dancers in and out of the fusion and MENATH scenes. Along with MENATH inspired dance styles, she has developed a love for Pole Dance, Waving, and various Floorwork oriented dance styles.

As a teacher, she has a passion for creating containers and spaces where others can grow emotionally and artistically. She hopes to touch the hearts of those she teaches through vulnerability, honesty, and unwavering love for movement in all it’s beautiful forms. 

Her life is also filled with being a full-time mother, fitness enthusiast, a collector of interesting psychology reads, and a plant hoarder.

She is available for instruction, private lessons, and workshops both locally and internationally

• Studio B – 2:30PM – 5:00PM Sat March 19th

DEB RUBIN – MINI INTENSIVE – MUST ENROLL FOR ALL THREE DAYS

Unlock & Elevate: 

Intro to Deb’s Dance Therapeutics Path of Embodied Artistry to unlock your optimal body & limitless dance so that you can powerfully step in to becoming the dancer and performer you’ve always dreamed of being.  Learn how to build your belly dance from the inside out, unlock pain patterns that have held you back in the past, and get deeper into your movement quality, sinewy slink, and core

Come get a taste of how Deb’s signature Dance Therapeutics methods of training smarter not harder, and building your belly dance from the inside out can change your world and fast track your dance development, to help you become the dancer and performer you’ve always wanted to be.   

This 9 hr intensive gives you an Introduction to my signature Dance Therapeutics program and my * Fascia, Form, And Flow* approach to get your body out of pain and into optimal movement mastery, and how you can use it to master your craft and rock your stages powerfully. 

You are invited to come learn how to unlock MORE from your body, your dance, and your performance, to elevate your technique & create mesmerizing movement quality that wows audiences and takes you deeper. 

Come learn how to:  1) Unlock your tight upper back & shoulders and reverse computer slouch, 2) Unlock your deepest serpentine movement quality, control, and sinewy slink,  3) Move like molasses and float your bones, while refining your torso isolation technique & luscious layers to fast track your dance progress to the next level, and feel great in your body while you do. 

Areas of focus for this 3 day intensive:  Unwinding your Fluid spine, Intro to Deb’s signature Fluid Core strengthening to give you that deep, postural support for a graceful skeleton, while refining your outer belly muscles for refined isolations and control, Intro to unlocking your shoulder girdle, & gooey shoulder and arm work.  Elegant arms, juicy new fusion combos a la “Deb” stylization that you can plug and play into your favorite choreographies.  *Combos include:  layering fluid upper body patterns over rhythmic hips, serpentine glitch sequences, and more. 

Each day will include:  A dance therapeutics inspired warm up to unlock tension from your body,  DT Dance conditioning,  Technique break down & skill building to unlock and re-pattern movements (daily topic), and integrate them into serpentine, layering, “Deb style” combos. 

This 3 day intensive will be a luscious mix of: Fusion technique, artistry, and therapeutics rolled into one.  A bodymind recharge on the mat, and a movement mastery clinic in the dance to elevate your artistry and leave you feeling empowered, confident, and inspired for what’s possible for your body. 

There will be time for Q&A and for a few of you:  laser1-on-1 coaching support on your specific “get out of pain” questions & dance needs.   Come ask me anything! I’m here to help you get out of pain and into your optimal movement and artistry. 

 

Deb Rubin BIO

Deb Rubin, MA, CMT, RYT is an internationally-acclaimed dancer/performer, workshop facilitator, yogi, and transformational health coach. Founder of SattyaBody Women’s Health, and SF Mecca Immersion, Deb currently teaches workshops, trainings, & retreats around the globe, fusing the art and practice of yoga, tribal fusion belly dance, performance artistry, and therapeutics, to support holistic health and radiant living.
A yoga teacher, body worker, somatic specialist, and transformational coach for almost 20 years, she specializes in injury prevention & rehab, and therapeutics. She has co-taught and collaborated with Shiva Rea as part of Shiva’s Shakti Sadhana series, and is published in Yoga Journal & Fuse magazines. A leader in the global Tribal Fusion Belly Dance movement, Deb has performed on stages across the globe, as a soloist, with her dance company, Project Merkaba, and as a guest artist with many of her musical inspirations, i.e. Balkan Beat Box, David Starfire, EOTO, Desert Dwellers, Shpongle, Karsh Kale, Eskmo, Emancipator.
Deb holds a B.A. in Psychology and Pre-Med from Princeton University, an MA in holistic health education from JFK University (including an emphasis on Somatics & Somatic Psychology); Massage and Bodywork training certifications from San Francisco School of Massage, and Sunshine Network in ChaingMai, Thailand, Yoga Teacher Training from Integrative Yoga Therapy, and is currently getting her eRYT-500 hours under the guidance of Shiva Rea and the Samudra Global School for Living Yoga. She founded the Traditional Thai-Yoga Massage program at McKinnon Massage School in the early 2000’s, and created the original curriculum. Her joy is to help people get out of pain and into easeful movement. Deb’s own teachings continue to be greatly influenced by her long term studies of yoga with Mark Whitwell, Gary Kraftsow, Shiva Rea, her past experience as a co-teacher of Acroyoga, and her anatomy studies with Tom Meyers’ KMI. Her classes are rooted in the ancient wisdom of Yoga, while continuing to push the edges of exploring human potential, flow states, and performance optimization through an integrated approach.
With 20 yrs experience working in the field of mind/body medicine, and 30+yrs in dedicated study and performance of dance (many genres), Deb created Dance Therapeutics multi-leveled, accredited training program and apprenticeships as a path to support dancers and yogis in deepening self- knowledge, self-care, somatic intelligence, empowerment, offering healthy tools to refine and heal their artistic medium (the body), and a path to cultivate Embodied Artistry in the studio, on the stage, and in life. [Debrubindancetherapeutics.com] [debrubindance.com]

Deb Rubin BIO

Deb Rubin, MA, CMT, RYT is an internationally-acclaimed dancer/performer, workshop facilitator, yogi, and transformational health coach. Founder of SattyaBody Women’s Health, and SF Mecca Immersion, Deb currently teaches workshops, trainings, & retreats around the globe, fusing the art and practice of yoga, tribal fusion belly dance, performance artistry, and therapeutics, to support holistic health and radiant living.
A yoga teacher, body worker, somatic specialist, and transformational coach for almost 20 years, she specializes in injury prevention & rehab, and therapeutics. She has co-taught and collaborated with Shiva Rea as part of Shiva’s Shakti Sadhana series, and is published in Yoga Journal & Fuse magazines. A leader in the global Tribal Fusion Belly Dance movement, Deb has performed on stages across the globe, as a soloist, with her dance company, Project Merkaba, and as a guest artist with many of her musical inspirations, i.e. Balkan Beat Box, David Starfire, EOTO, Desert Dwellers, Shpongle, Karsh Kale, Eskmo, Emancipator.
Deb holds a B.A. in Psychology and Pre-Med from Princeton University, an MA in holistic health education from JFK University (including an emphasis on Somatics & Somatic Psychology); Massage and Bodywork training certifications from San Francisco School of Massage, and Sunshine Network in ChaingMai, Thailand, Yoga Teacher Training from Integrative Yoga Therapy, and is currently getting her eRYT-500 hours under the guidance of Shiva Rea and the Samudra Global School for Living Yoga. She founded the Traditional Thai-Yoga Massage program at McKinnon Massage School in the early 2000’s, and created the original curriculum. Her joy is to help people get out of pain and into easeful movement. Deb’s own teachings continue to be greatly influenced by her long term studies of yoga with Mark Whitwell, Gary Kraftsow, Shiva Rea, her past experience as a co-teacher of Acroyoga, and her anatomy studies with Tom Meyers’ KMI. Her classes are rooted in the ancient wisdom of Yoga, while continuing to push the edges of exploring human potential, flow states, and performance optimization through an integrated approach.
With 20 yrs experience working in the field of mind/body medicine, and 30+yrs in dedicated study and performance of dance (many genres), Deb created Dance Therapeutics multi-leveled, accredited training program and apprenticeships as a path to support dancers and yogis in deepening self- knowledge, self-care, somatic intelligence, empowerment, offering healthy tools to refine and heal their artistic medium (the body), and a path to cultivate Embodied Artistry in the studio, on the stage, and in life. [Debrubindancetherapeutics.com] [debrubindance.com]

 

• Studio C – 2:00PM – 5:00PM Sat March 19th

DEVIN ALFATHER

Costuming and Prop Creation for the Strange and Unusual” (Lecture/Lab)

An Art-Deco costume paved in thousands of pearls. A  $2.99 table-runner, turned into a skirt. A fully articulated, four foot long raven wing. A giant lumpy moon. In this workshop we’ll explore unusual costuming and prop materials.  Our adventure into costuming is designed to be accessible to the first-time costumer, the advanced seamstress, and everyone in between.  We’ll take a hands-on approach to exploring unique materials, adapting existing garments, and sourcing parts in an ethical, everyday way.  Get your mind buzzing and your hands busy. Halloween decorations and dumpster-dives become high art in this half-lecture, half Lab hybrid workshop.

 

DEVIN ALFATHER BIO

Devin Alfather is a multidisciplinary dancer currently specializing in Theatrical Fusion Bellydance (Raqs Sharqi-Inspired Fusion), original costuming and prop construction, Circus Arts, and other MENAHT and world Fusion dances.   When not tearing up the stages in Texas and beyond, she can be found rolling around any dance-floor that will have her, from Vegas to Portland.  She seeks to keep one foot in either world, and is a continuous student of source materials and dancers.

DEVIN ALFATHER BIO

Devin Alfather is a multidisciplinary dancer currently specializing in Theatrical Fusion Bellydance (Raqs Sharqi-Inspired Fusion), original costuming and prop construction, Circus Arts, and other MENAHT and world Fusion dances.   When not tearing up the stages in Texas and beyond, she can be found rolling around any dance-floor that will have her, from Vegas to Portland.  She seeks to keep one foot in either world, and is a continuous student of source materials and dancers.

EVENING

• Studio A – 5:00PM – 8:00PM Sat March 19th

CHRISTINA KING
Beyond the Gallop: 

Let’s up our zill game! What if we went off the beaten path with our zilling and changed it up a bit? What if we considered both our movement and our music when creating our finger cymbal accompaniment? What if we could do all of this while gaining accuracy and speed? 

Christina’s approach to creating zill patterns for her dance compositions constantly asks and answers these questions with an ear for musicality and an eye to not getting stuck playing the gallop the entire time!

After drilling up some basic rhythms, Christina will give a basic idea of how she approaches playing finger cymbals while dancing. You’ll learn a zill composition that builds up from the most basic patterns and then puts movement to them, bringing the whole picture together.

You will then get an opportunity to create a composition of your own with movement, putting the ideas you’ve learned to use in a creative group exercise.

Come on in and make some noise! This workshop will have you playing different rhythms and rhythms differently to make your zilling more interesting both for you and the audience.

• Studio B – 5:00PM – 8:00PM Sat March 19th

MELLI SARINA

Flow with me

Learn my secrets for precise and water like waves through your whole body. We will work on specific technique of armwaves, transitions and undulations to combine them to one of my favorite combinations. Learn how to move like water and flow with me.

• Studio C – 5:00PM – 8:00PM Sat March 19th

DRAKE VON TRAPP

Stage Presence Lec-dem – Part lecture, part movement

Exploring presence onstage can be a vulnerable experience. In this workshop, we explore common blockers to presence (stage presence vs absence) and how to work through them to truly be our most authentic and vulnerable onstage. The concepts in this workshop are informed by Drake’s journey and research in shame, insecurity, and self-acceptance. Exercises will be led to help identify sources of presence, develop a relationship with the audience, and how to handle self-criticism and find a path to self-forgiveness. Note-taking is encouraged.

CHRISTINA KING BIO

Christina King of Illinois began studying folkloric Arab dance in 1993, with Tahjah of Madison, Wisconsin and quickly became a regular performer and choreographer with Tahjah’s troupe. After moving to Chicago in 1996, Christina began studying Egyptian Oriental dance with Jasmin Jahal, later becoming an apprentice member of her dance company, Ward el Sahara. While still studying with Jasmin, Christina added group improvisation fusion belly dance to her repertoire in 1999 under the tutelage of Stephanie Barto and began performing in Barto’s student troupe, The Fringe Connection.

In 2001 Christina became a founding member of the Blue Loti, a Chicago fusion belly dance troupe, and began performing  professionally with them  and as a solo artist around Chicagoland and across the Midwest.

Christina began teaching weekly belly dance classes in 2003 and by 2004 was invited to teach workshops with the members of the Blue Loti first in the Midwest and then all over the country. She currently teaches weekly classes in Elgin IL and online via zoom. Recently she has been cultivating and curating a library of on-demand courses for her students both local and around the globe.

Christina has received a recognition certificate for Zoe Jakes’ DanceCraft: Key of Diamonds and Key of Spades as well as Rachel Brice’s 8 Elements Phase I: Initiation, Phase II: Cultivation, Phase III: Culmination, and Phase IV: Transmission. She is a Certified 8Elements Practitioner and Datura Style™ Teacher.

CHRISTINA KING BIO

Christina King of Illinois began studying folkloric Arab dance in 1993, with Tahjah of Madison, Wisconsin and quickly became a regular performer and choreographer with Tahjah’s troupe. After moving to Chicago in 1996, Christina began studying Egyptian Oriental dance with Jasmin Jahal, later becoming an apprentice member of her dance company, Ward el Sahara. While still studying with Jasmin, Christina added group improvisation fusion belly dance to her repertoire in 1999 under the tutelage of Stephanie Barto and began performing in Barto’s student troupe, The Fringe Connection. 

In 2001 Christina became a founding member of the Blue Loti, a Chicago fusion belly dance troupe, and began performing  professionally with them  and as a solo artist around Chicagoland and across the Midwest.

Christina began teaching weekly belly dance classes in 2003 and by 2004 was invited to teach workshops with the members of the Blue Loti first in the Midwest and then all over the country. She currently teaches weekly classes in Elgin IL and online via zoom. Recently she has been cultivating and curating a library of on-demand courses for her students both local and around the globe. 

Christina has received a recognition certificate for Zoe Jakes’ DanceCraft: Key of Diamonds and Key of Spades as well as Rachel Brice’s 8 Elements Phase I: Initiation, Phase II: Cultivation, Phase III: Culmination, and Phase IV: Transmission. She is a Certified 8Elements Practitioner and Datura Style™ Teacher.

MELLI SARINA BIO

Melli Sarina invests continously in her dance education to improve her dance and teaching skills.

She successfully passed the Level 2 Dancecraft program by Zoe Jakes in San Francisco in 2017, joined  the Orchidaceae Dance Intensive to grow in her own style and attended The Tribal Massive Bellydance Academy professional track in Las Vegas already twice.

Waving is her current obsession as well as combining it to her significant liquid fusion bellydance style. In her classes she adds her therapeutical knowledge as a postpartum fitness instructor to work with her students on the most effective but healthy exercising methods to open their bodies to the wonderful dance world to come.

MELLI SARINA BIO

Melli Sarina invests continously in her dance education to improve her dance and teaching skills.

She successfully passed the Level 2 Dancecraft program by Zoe Jakes in San Francisco in 2017, joined  the Orchidaceae Dance Intensive to grow in her own style and attended The Tribal Massive Bellydance Academy professional track in Las Vegas already twice.

Waving is her current obsession as well as combining it to her significant liquid fusion bellydance style. In her classes she adds her therapeutical knowledge as a postpartum fitness instructor to work with her students on the most effective but healthy exercising methods to open their bodies to the wonderful dance world to come.

DRAKE VON TRAPP BIO

Drake von Trapp is a transnational fusion dancer based in the Denton area of North Texas. He holds a bachelor’s degree in dance, and is currently a dual master’s student at Texas Woman’s University for dance and gender studies. He is a 9-time award winning performer, holding titles such as The Belly Dance World Cup Overall Champion, Fusion Belly Dancer of The Year, and Fusion Solo Professional; and also holds several writing awards for his undergraduate thesis, ‘Masculinity in American Bellydance’. He is currently working on his next publication, ‘From Bal Anat to Hahbi ‘Ru: An Oral History of John Compton, American Male Belly Dancer’, while wiggling his way through graduate school.

DRAKE VON TRAPP BIO

Drake von Trapp is a transnational fusion dancer based in the Denton area of North Texas. He holds a bachelor’s degree in dance, and is currently a dual master’s student at Texas Woman’s University for dance and gender studies. He is a 9-time award winning performer, holding titles such as The Belly Dance World Cup Overall Champion, Fusion Belly Dancer of The Year, and Fusion Solo Professional; and also holds several writing awards for his undergraduate thesis, ‘Masculinity in American Bellydance’. He is currently working on his next publication, ‘From Bal Anat to Hahbi ‘Ru: An Oral History of John Compton, American Male Belly Dancer’, while wiggling his way through graduate school.

SUNDAY MARCH 20TH

MORNING

• Studio A – 9:00AM – 12:00PM Sun March 20th

DIANA SOTO

Arms, Hands and Expressiveness 

Arms give you style. Hands hold the keys to storytelling. In this workshop, we will play with arms and hands technique from flamenco, salsa and lebanese style oriental dance to experiment with other ways of using arms and hands in our dance. After juicy drills and short combos focused on unlocking the expressive power of arms and hands, the improvisation games begin. With over ten years of experience teaching improvisation, Diana will give you guided improvisation prompts to help you integrate these new arm and hand patterns in your own way. Come for some joyful movement research and discover new possibilities of expression, power and drama in your dance!

•Studio B – 9:00AM – 12:00PM Sun March 20th

DEB RUBIN – MINI INTENSIVE – MUST ENROLL FOR ALL THREE DAYS
CLASS DESCRIPTION LISTED IN SAT CLASS

•Studio C – 9:00AM – 12:00PM Sun March 20th

KAMRAH

The Rogue 

Part of Kamrah’s RPG workshop series! Rogues are known for their stealth, nimbleness, and dexterity. We’ll up our slinky game through some ooey-gooey super flowy isolations and arms and then get into the weird stuff. Strange layers, unusual movements, and slinky traveling will be broken down and then all of it rolled up into combos. A discussion on how to make practice and drilling more efficient and effective, like a quick, surgical strike in the dark, will follow. This workshop is a must for working dancers who have little time for practice.

SILVIA SALAMANCA BIO

Silvia Salamanca is an internationally acclaimed performer, choreographer and instructor from Mallorca, Spain.  A life-long dancer, she graduated at the age of nineteen as a major in ballet and performed professionally as a modern dancer in major Europe festivals with the contemporary dance company of the University of Barcelona.

She started her career as a belly dancer in 2001, when realizing the enormous benefits that this art-form brings in both, body and soul. In her own studio, she keeps observing how women can get closer to their self identity and discover oneself in a new level, increasing self-esteem, and getting deeply in touch with the feminine essence in their soul through bellydance.

As a natural evolution in her journey, Silvia discovered tribal fusion in the USA and combined it with a deep research into her own cultural roots: Arabic and Spanish gitana. Hence with her work in the field of Zambra Mora (spanish gitano-oriental dance fusion), Silvia gained international recognition and is currently invited to teach workshops and perform as a headliner in major festivals world-wide. Silvia is also known for her work dancing with swords, which she feels depicts the strength.

Silvia is also the director of Shunyata Belly Dance, a nationally awarded tribal fusion company and a proud member of Urban Hips, Houston’s premiere ITS troupe.

DIANA SOTO BIO

Diana Soto is an up-and-coming Puerto Rican choreographer, performer and dance professor. She believes that the best innovation is rooted in tradition. Soto has presented her dance work and taught in Colombia, Brasil, Mexico, New York, Florida, Texas and all over Puerto Rico. With a research MA in Cultural Analysis from the University of Amsterdam, Soto taught in 2016 the first ever course on Middle Eastern Dance at the University of Puerto Rico, an interdisciplinary exploration of Arab dances, Orientalism and Eurocentrism. In 2018, she lived for a couple of months in Beirut, Lebanon to go even deeper into the culture and train with some of Lebanon’s biggest names.

She currently lives in Houston where she performs often with dance companies such as Shunyata Dance (fusion), BellaDonna (cabaret), and Folkoholic Dance Theater (dabke and zaffa). She teaches online via dianadancemagic.teachable.com 

KAMRAH BIO

Viral TikTok star, performer, and teacher, Kamrah is Chicago’s first trans masculine dancer. He has been dancing since 2001, and has traveled all over the US to teach and perform in multiple styles of dance. Kamrah is known for his killer isolations, creativity, and theatrical pieces, and for being a soloist in Chicago’s premiere geeky belly dance and fire troupe, Raks Geek.

KAMRAH BIO

Viral TikTok star, performer, and teacher, Kamrah is Chicago’s first trans masculine dancer. He has been dancing since 2001, and has traveled all over the US to teach and perform in multiple styles of dance. Kamrah is known for his killer isolations, creativity, and theatrical pieces, and for being a soloist in Chicago’s premiere geeky belly dance and fire troupe, Raks Geek.

AFTERNOON

• Studio A – 1:00PM – 4:00PM Sun March 20th

MICHELLE SORENSEN – MINI INTENSIVE – MUST ENROLL FOR ALL THREE DAYS
See class descriptions on Sat

• Studio C – 1:00PM – 4:00PM Sun March 20th

BRITTANY BANAEI 
“Slow Art:” Exercises in Collaborating with Kindness
This is a workshop for those who are interested in playing well with others. Participants can expect to interface with dancemaking in a different capacity, going beyond the traditional definition of collaboration. In doing so, they are asked to explore deeper notions of what makes a pleasant and safe collaborative experience. This workshop will provide a toolkit for the process of “slow art,” which lends itself not only to meaningful and safe relationships inside of collaboration, but also brings everyone involved into a more invested place. It is intended to run antithetical to dehumanizing and devaluing practices which are not only found inside of art making, but also in the geopolitical landscape. Participants will be introduced to creative activities which facilitate a working environment based in trust, care, inclusivity, humanity, and visibility. This workshop will also include creative prompts which build the basics for imaginative worldbuilding, in which makers create and live for short periods of time inside of a world they have imagined and brought to life. Worldbuilding is a purposeful creative approach which relates to worldmaking (Dorinne Kondo) and nation-building (Atom Getachew), and is a site where creators are encouraged to imagine alternative realities where they can safely process a litany of inequitable encounters including oppression, restriction, control, colonial violence, white supremacy, surveillance, and embodied trauma while using humor, creativity, and magic realism to circumvent the siren song of nihilism.

 

 

BRITTANY BANAEI BIO

Brittney Laleh Banaei is a dancer, scholar, bodyworker, and educator. Her integrative approach
to movement (and life) combines her passions of inclusivity, critical thought, empowerment,
decolonization, and wellness.
Brittney is a STOTT Pilates® trained instructor, certified Gyrotonic® apprentice, licensed
massage therapist, and an avid weightlifter. She uses those skills to help other humans find
growth,ease, and confidence in their chosen movement practice(s).
Currently, Brittney is a Master of Fine Arts in Dance candidate at the University of Colorado,
Boulder. She holds a Bachelor of Fine Arts in Dance from Missouri State University with a
minor in Middle Eastern Studies (history, comparative politics). She is investigating themes of
surveillance, erasure/invisibilization, and humor as they relate to the development, exploration,
and transmutation of identity. Additionally, Brittney interrogates the idea of Middle Eastern-ness
by finding performative satisfaction in both subverting and upholding deeply embedded
orientalist expectations of the performing Middle Eastern body. Brittney is interested in what it
means to be a “fusion human,” and the complexities of navigating a multiethnic experience.
She approaches her research from a Performance Studies lens, operating at the nexus of
movement, geopolitics, law, philosophy, and sociology. Her graduate research is centered on
the Iranian Diaspora created by Iran’s 1979 Revolution.
Artistically, Brittney identifies her ‘home base’ as MENAHT dance as well as
contemporary/fusion forms. Her most recent work includes Overworld produced in conjunction
with Constance Harris and Laura Conway, As if We Don’t Know in conjunction with Laura
Conway, and the collaborative work Hunak, an investigation of cultural and interpersonal
relationships within states of conflict featuring Palestinian musician Omar Zinaty. She is also an
instructor of Amy Sigil’s “Improv Team Sync (ITS)” format. Samples of her work can be found
at www.brittneybanaei.com
Outside of dance, Brittney’s loves include: fiancé David, family, dogs Mildred and Mortimer, cat
Monster Truck, unicorns, any movie that can be categorized as a “period drama, strong female
lead”, fantasy novels, and peanut butter.
Teaching Philosophy
I am a mover, thinker, bodyworker, activist, and educator with a sociopolitical focus. The core
of my pedagogical approach is to infuse the classroom with movement-based inquiry that
introduces students to the world outside of themselves, and prepares them to be conversant,
confident, and compassionate global citizens.
I am passionate about decentralizing the western canon as the benchmark for virtuosity, and I
do so by focusing on praxis derived from my study of dance forms of the Middle East and
North Africa. I believe that critical examination of people and places that the west commonly
views as “other” is crucial in righting the glaring gaps in education surrounding foreign policy
and international discourse, which contribute to conflict and misunderstanding on every
imaginable scale. In my experience, dance and movement are inroads to cultural knowledge,
which is a critical building block towards global understanding.
I believe that the body is a potent site for combatting erasure and inequity through
representation and presence. I integrate this activism into the classroom by prioritizing an
environment of belonging and trust which promotes confidence and self-efficacy in students. I
believe in compassion, dignity, and radical respect. I feel it is important that every student is
seen, heard, acknowledged, and supported for the human that they are and the experiences
that they carry with them. These beautiful differences require nuanced and customized
approaches to learning, which cannot be achieved through archaic and authoritarian teaching
methods. I use decolonial, trauma-informed, anti-racist pedagogical practices and curriculum
inspired by the work of Paulo Friere, Resma Menekem, Walter Mignolo, Edward Said, Homi
Bhabha, and José Esteban Muñoz, and many more. I use these theoretical frameworks as the
underpinnings of classroom design that works as a container for equity, safety, difference,
universal design, kindness, and inquiry.

BRITTANY BANAEI BIO

Brittney Laleh Banaei is a dancer, scholar, bodyworker, and educator. Her integrative approach
to movement (and life) combines her passions of inclusivity, critical thought, empowerment,
decolonization, and wellness.
Brittney is a STOTT Pilates® trained instructor, certified Gyrotonic® apprentice, licensed
massage therapist, and an avid weightlifter. She uses those skills to help other humans find
growth,ease, and confidence in their chosen movement practice(s).
Currently, Brittney is a Master of Fine Arts in Dance candidate at the University of Colorado,
Boulder. She holds a Bachelor of Fine Arts in Dance from Missouri State University with a
minor in Middle Eastern Studies (history, comparative politics). She is investigating themes of
surveillance, erasure/invisibilization, and humor as they relate to the development, exploration,
and transmutation of identity. Additionally, Brittney interrogates the idea of Middle Eastern-ness
by finding performative satisfaction in both subverting and upholding deeply embedded
orientalist expectations of the performing Middle Eastern body. Brittney is interested in what it
means to be a “fusion human,” and the complexities of navigating a multiethnic experience.
She approaches her research from a Performance Studies lens, operating at the nexus of
movement, geopolitics, law, philosophy, and sociology. Her graduate research is centered on
the Iranian Diaspora created by Iran’s 1979 Revolution.
Artistically, Brittney identifies her ‘home base’ as MENAHT dance as well as
contemporary/fusion forms. Her most recent work includes Overworld produced in conjunction
with Constance Harris and Laura Conway, As if We Don’t Know in conjunction with Laura
Conway, and the collaborative work Hunak, an investigation of cultural and interpersonal
relationships within states of conflict featuring Palestinian musician Omar Zinaty. She is also an
instructor of Amy Sigil’s “Improv Team Sync (ITS)” format. Samples of her work can be found
at www.brittneybanaei.com
Outside of dance, Brittney’s loves include: fiancé David, family, dogs Mildred and Mortimer, cat
Monster Truck, unicorns, any movie that can be categorized as a “period drama, strong female
lead”, fantasy novels, and peanut butter.
Teaching Philosophy
I am a mover, thinker, bodyworker, activist, and educator with a sociopolitical focus. The core
of my pedagogical approach is to infuse the classroom with movement-based inquiry that
introduces students to the world outside of themselves, and prepares them to be conversant,
confident, and compassionate global citizens.
I am passionate about decentralizing the western canon as the benchmark for virtuosity, and I
do so by focusing on praxis derived from my study of dance forms of the Middle East and
North Africa. I believe that critical examination of people and places that the west commonly
views as “other” is crucial in righting the glaring gaps in education surrounding foreign policy
and international discourse, which contribute to conflict and misunderstanding on every
imaginable scale. In my experience, dance and movement are inroads to cultural knowledge,
which is a critical building block towards global understanding.
I believe that the body is a potent site for combatting erasure and inequity through
representation and presence. I integrate this activism into the classroom by prioritizing an
environment of belonging and trust which promotes confidence and self-efficacy in students. I
believe in compassion, dignity, and radical respect. I feel it is important that every student is
seen, heard, acknowledged, and supported for the human that they are and the experiences
that they carry with them. These beautiful differences require nuanced and customized
approaches to learning, which cannot be achieved through archaic and authoritarian teaching
methods. I use decolonial, trauma-informed, anti-racist pedagogical practices and curriculum
inspired by the work of Paulo Friere, Resma Menekem, Walter Mignolo, Edward Said, Homi
Bhabha, and José Esteban Muñoz, and many more. I use these theoretical frameworks as the
underpinnings of classroom design that works as a container for equity, safety, difference,
universal design, kindness, and inquiry.

EVENING

• Studio A – 5:00PM – 8:00PM Sun March 20th

LIZ AZI

Sugar and Spice! Many feel that the glitzy style of American Cabaret or Modern Egyptian and the dark, slinky genre of Fusion are worlds apart. In this workshop, Liz Azi will cover how these styles are different but also where there is stylistic or executional overlap. Based out her foundational dance training in American Cabaret, her studies in Modern Egyptian Raqs Sharqi and her unique Fusion style, Liz will teach some combos that are showcase the uniqueness of each style, as well as some moves that blur the line between these genres of belly dance. This workshop is perfect for dancers trained in one genre that are curious about the others, as well as dancers that have cross trained in multiple styles that are looking to seamlessly blend movement vocabularies.

• Studio B – 5:00PM – 8:00PM Sun March 20th

SARA LYN
“Texture”
Layers you can Feel:
Dynamic drills for crisp isolations and mind bending layers to take your technique & musicality to a deeper level!
In contrast, make your dancing look and feel more effortless with Sara’s “Move Like Honey” approach to fluidity. When we apply different qualities or textures to our movements we can communicate different meanings, emotions, and bring a song to life!
(A yoga block will enhance your experience though everything can be done without!)

• Studio C – 5:00PM – 8:00PM Sun March 20th

PIXIE FORDTEARS
Let’s do the Time Warp!

Fun combos that feel like you are playing with time! We will play with the ultra fast movement into the slow dramatic phrases! We will be using popping and recoil and other techniques to add to your repertoire. This will keep the audience guessing!

LIZ AZI BIO

Liz Azi is an award winning professional dancer based in Denver, Colorado. Her movement specialties include several styles of Raqs Sharqi, known in the United States as “bellydance”, theatrical and folk dances stemming from diasporas of the MENAHT region, and Transnational Fusion.  She takes an anthropological approach to dance, with a focus on history, culture, and contextualization to inform her movement while also exploring modern archetypes, evocative presentations, and the liminal spaces between historical and contemporary dance aesthetics.

Liz Azi has performed and taught at dance conventions and festivals all over the United States and abroad. She has toured both regionally and internationally with Blue Star Turkish Folk Dance Troupe performing a variety of traditional Turkish folk dances. She has also been a cast dancer in Zoe Jakes’ House of Tarot and a featured dancer in cabaret, vaudeville, and dance shows all over the country. Her continued education has brought her to study dance in several countries, including Turkey and Egypt.

LIZ AZI BIO

Liz Azi is an award winning professional dancer based in Denver, Colorado. Her movement specialties include several styles of Raqs Sharqi, known in the United States as “bellydance”, theatrical and folk dances stemming from diasporas of the MENAHT region, and Transnational Fusion.  She takes an anthropological approach to dance, with a focus on history, culture, and contextualization to inform her movement while also exploring modern archetypes, evocative presentations, and the liminal spaces between historical and contemporary dance aesthetics.

Liz Azi has performed and taught at dance conventions and festivals all over the United States and abroad. She has toured both regionally and internationally with Blue Star Turkish Folk Dance Troupe performing a variety of traditional Turkish folk dances. She has also been a cast dancer in Zoe Jakes’ House of Tarot and a featured dancer in cabaret, vaudeville, and dance shows all over the country. Her continued education has brought her to study dance in several countries, including Turkey and Egypt. 

SARA LYN BIO

Sara Lyn was fortunate to find and fall in love with this art form at the age of 16 and the rest is history! With almost two decades of dedicated dance studies, performing, and nearly a decade of teaching, she is known for her slinky stylization, strong musicality, and high attention to detail. She hopes to help others find who they are as an artist & a deeper self love through the magic of dance. Being a new mother has given her a new perspective on how amazing the human body is, how precious time is, and how important creative movement is for overall well-being. You can find her in Las Vegas at her studio “Zen Den” or online at vimanafusion.com !

SARA LYN BIO

Sara Lyn was fortunate to find and fall in love with this art form at the age of 16 and the rest is history! With almost two decades of dedicated dance studies, performing, and nearly a decade of teaching, she is known for her slinky stylization, strong musicality, and high attention to detail. She hopes to help others find who they are as an artist & a deeper self love through the magic of dance. Being a new mother has given her a new perspective on how amazing the human body is, how precious time is, and how important creative movement is for overall well-being. You can find her in Las Vegas at her studio “Zen Den” or online at vimanafusion.com !

PIXIE FORDTEARS BIO

Pixie Fordtears hails from Oakland CA. She is a touring dancer with Beats Antique and Zoe Jakes’ dance company, Coven! She also is the choreographer and director of Eclipse Dance Company. Pixie enjoys cross training when she can in Popping, Waving, Gliding, Hip Hop,, and Yoga. You can see this weave through her 13 years of bellydance training when she performs! She loves to Share the knowledge she has learned through her life in an inclusive way – let’s play!

PIXIE FORDTEARS BIO

Pixie Fordtears hails from Oakland CA. She is a touring dancer with Beats Antique and Zoe Jakes’ dance company, Coven! She also is the choreographer and director of Eclipse Dance Company. Pixie enjoys cross training when she can in Popping, Waving, Gliding, Hip Hop,, and Yoga. You can see this weave through her 13 years of bellydance training when she performs! She loves to Share the knowledge she has learned through her life in an inclusive way – let’s play! 

MONDAY MARCH 21ST

MORNING

• Studio A – 9:00AM – 12:00PM Mon March 21st

CONSTANCE WINYAA 

Afrofusion Class description:

This class focuses on teaching technique and choreography that borrows from Pan-African vernacular and street dances found throughout the continent and the diaspora, as well as Hip-Hop and House. We will focus on polycentric dance techniques that will blend grounded posturing and upper/lower body isolations with rhythmical footwork that complements the polyrhythms of Afrobeat, Afrobeats, Afrohouse and more!

 

• Studio B – 9:00AM – 12:00PM Mon March 21st

LIZ & DRAKE

Are you curious about what it’s like to pursue dance within a university setting? Will it be amazing, terrible? Do you need a university? What about research? What even is dance research? In this workshop, Liz and Drake will cover the ins, outs, and truths about what it’s like to pursue dance in an academic setting, both as a scholastic and technical pursuit. They will also cover some foundational research practices to help you deepen your own dance journey and not fall victim to some common mistakes when conducting “research”. This workshop is based on Liz and Drake’s experience pursuing degrees investigating belly dance as well as working within university settings. They will also share about each of their research projects related to dance.

• Studio C – 9:00AM – 12:00PM Mon March 21st

JENNY COHEN

All the Works with Aaliyah Jenny 

In this one time only opportunity, Aaliyah Jenny aka Jenny C Cohen fuses her three signature workshops into one to help you achieve your unique voice in performance art.  Now more than ever in these historic times, art is vital.  Your art is essential.  How you express your story needs to be clear and speak from your personal perspective.

Please bring a form of video recording device, pen & paper and a willingness to explore your growth as a performer!

Part 1: How to give good face.

Aaliyah Jenny shares her secrets to the expressive face during performances. Go beyond the “frozen smile”!  

Part 2: Mirror Mirror – a.k.a. how to  get over the “I can’t watch myself on video” syndrome. Aaliyah Jenny will share what she looks for in her own daily practice videos honed from daily improv throughout her breast cancer treatment, surgery & recovery.  Improve your performance through personal critique methods used by Aaliyah Jenny. Learn to identify your strengths & areas needing attention. Become your own best coach! This workshop will be an analysis of your movement, intention & performance. 

Part 3: Our Authentic Selves: What is YOUR story?

How do we achieve authenticity when we perform?  This workshop focuses on the balance between universal themes and our personal stories when we present a theatrical fusion piece.  Exercises in projection, acting, physicality, meditation, play are just a few methods explored.

CONSTANCE WINYAA BIO

Constance Harris is a dance fusion artist who specializes in teaching, performing, and choreographing. She specializes in styles grounded in Africanist aesthetics focusing on traditional and contemporary African dance, Hip-Hop and House. She holds a Bachelor of Arts in Cultural Anthropology from Dickinson College and a Master of Fine Arts in Dance from the University of Colorado Boulder. She is an accomplished nightlife performer who has appeared at some of the country’s liveliest nightclubs and festivals, including The Trestle Inn (Philadelphia), Premier Nightclub (Atlantic City), Mile High Soul Club (Denver), Tracks (Denver) and Global Dance Festival (Denver). She is currently a lecturer for the department of Theater and Dance at the University of Colorado Boulder.

CONSTANCE WINYAA BIO

Constance Harris is a dance fusion artist who specializes in teaching, performing, and choreographing. She specializes in styles grounded in Africanist aesthetics focusing on traditional and contemporary African dance, Hip-Hop and House. She holds a Bachelor of Arts in Cultural Anthropology from Dickinson College and a Master of Fine Arts in Dance from the University of Colorado Boulder. She is an accomplished nightlife performer who has appeared at some of the country’s liveliest nightclubs and festivals, including The Trestle Inn (Philadelphia), Premier Nightclub (Atlantic City), Mile High Soul Club (Denver), Tracks (Denver) and Global Dance Festival (Denver). She is currently a lecturer for the department of Theater and Dance at the University of Colorado Boulder.

LIZ & DRAKE BIO

Please see individual bio’s for each teacher.

LIZ & DRAKE BIO

Please see individual bio’s for each teacher. 

JENNY COHEN BIO

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JENNY COHEN BIO

Aaliyah Jenny is best known for her moving and autobiographical fusion performances which tell universal stories.  They are inspired by her love of hip hop, contemporary and Arabic dance & music.

Born in Taiwan and grown in the U.S., Aaliyah Jenny aka Jenny C Cohen or Jenny C is an award winning performer, actress/ voiceover artist/comedian, Sharqui Master Instructor, Datura Style teacher, Yoga Instructor and creator of Dance to Heal Podcast and Wellness Program. She has a Master’s Degree in Occupational Therapy, is a mom who homeschooled her twins to college and coached a collegiate dance team. She is currently writing her first book and screenplay.

Aaliyah Jenny’s background of training includes ballet, modern, hip hop, Arabic Dance, tap, and Polynesian Dance.  Her favorite events have been Pulse on Tour featuring Mia Michaels, Gil Duldulao, Dave Scott, Brian Friedman, Ian Eastwood.    

She homeschooled her kids to college.  She is also happily married 29 years to her wonderful soul mate and alpha leader to her two dogs and twelve cats. 

Aaliyah Jenny is honored to count as her dance mentors Aziza, Aszmara, Amanda Rose, Rachel Brice, and Donna Mejia.  She has participated in Rachel Brice’s 8 Elements Training Program, Zoe Jake’s Dance Craft, Amy Sigil’s ITS and Improv Team Sync, April Rose’s Cohesion Collective and Kami Liddle’s Krysalis.  

In January 2014, Aaliyah Jenny won 1st place in the Pro Tribal Fusion category at The East Coast Classic and was invited to perform in the Gala show at the Hanover Tribal Festival in Germany June 2014 where she placed 2nd runner up in the Tribal Star Competition.  She won Bellydance Masters 2015 Pro Fusion Category and is the Jewels of the Orient 2015 Grand Champion Pro Fusion Tribal winner.  In 2019, Aaliyah Jenny won Essence of Bellydance’s People Choice and Essence Soaring First Place.

Aaliyah Jenny is proud to have launched her non profit 501c event called Raw Epiphany July 7-9, 2017 in Salt Lake City, Utah.  It was born to provide an opportunity of growth afforded through the feedback process while awarding almost fifty scholarships to participants. Please check out RAW Epiphany on Facebook or www.TheRawEpiphany.com

In 2019, Aaliyah Jenny’s instructional DVD “Inside Out: Acting for Dancers” was produced and can be purchased from her personally at www.aaliyahjenny.com or through www.BellydanceNation.com.

Aaliyah Jenny was awarded the New York Theatrical Bellydance Conference Genevieve Memorial Award and the East Coast Classic Lighthouse Award for her leadership and tireless dedication to the dance community.

Please visit Jenny’s Transformation on FB for more details on her battle and victory over breast cancer.

Please visit www.jennyccohen.com  for more information on Aaliyah Jenny’s travels.

 

AFTERNOON

• Studio A – 1:00PM – 4:00PM Mon March 21st

MICHELLE SORENSEN – MINI INTENSIVE – MUST ENROLL FOR ALL THREE DAYS
See class descriptions on Sat. 

• Studio B – 1:00PM – 4:00PM Mon March 21st

DEB RUBIN – MINI INTENSIVE – MUST ENROLL FOR ALL THREE DAYS
See class descriptions on Sat. 

• Studio C – 1:00PM – 4:00PM Mon March 21st

FARASHA DENEEN 

“Siren Series” 3-part workshop

Liquid Taxim:

In the moment, the flow, Tarab…these are a few names to describe the raw connection between dancer and music. Improvisation is the root technique and  essence of Middle Eastern Dance. The emotional taxim is where your interpretation of the nay, violin , or accordion will be showcased. Be prepared to get out of your head and into your heart.

Serpentine Waves:

Farasha’s will share her dynamic go-to combos powered by: layered shimmies, sensual isolations and traveling sequences to assist you on your journey as an Oriental Dancer.

Fluid Veil:

Swish Swish & Twirl. Dramatic, Graceful and Weightless.  Whether you’re making an entrance or adding an element of mystery to your performance, the veil is not just a prop, the veil is an extension of the dancer. A breakdown of classic veil techniques through flourishes, spins, turns and dreamy arabesque combos.

 

FARASHA DENEEN BIO

Whether she’s shimmying on land or transformed into an underwater mermaid entertainer,  this Siren showgirl mesmerizes her audiences with skillful grace and charisma. Hailing from the seaside city of Oxnard, California is where she developed a deep love for mythology, aquatic movement, music, dance and all things romantic. She relocated to Boston in 1998 where Farasha began studying bellydance with renowned instructors Michelle “Najmat” Pinage and Jehan Kamal. Farasha soon became a professional dancer at premier Middle Eastern supper clubs throughout New England. After achieving popularity in the thriving scene, she set her sights on becoming a full -time performer. Farasha sent a performance video to an agent in Las Vegas where she landed a contract with Aladdin Hotel Casino/Desert Dessert Passage troupe. She was also a contracted bellydance artist at Ceasars Palace and has bellydanced at Hip Hop sensation, Cardi B’s birthday party. Her career led her to perform in: NYC, USA and Tokyo,Japan. Farasha performs as a real-siliconed-tailed mermaid and is the founder of Mermaid School at the Westgate Hotel Casino. She makes mermaid appearances in a traveling aquarium tank for corporate events, most recently the MGM Grand Hotel and Downtown Las Vegas’ Arts district. Farasha also is the dancer for Three Lock Box, the Ultimate Sammy Hagar Tribute band.

 

FARASHA DENEEN BIO

Whether she’s shimmying on land or transformed into an underwater mermaid entertainer,  this Siren showgirl mesmerizes her audiences with skillful grace and charisma. Hailing from the seaside city of Oxnard, California is where she developed a deep love for mythology, aquatic movement, music, dance and all things romantic. She relocated to Boston in 1998 where Farasha began studying bellydance with renowned instructors Michelle “Najmat” Pinage and Jehan Kamal. Farasha soon became a professional dancer at premier Middle Eastern supper clubs throughout New England. After achieving popularity in the thriving scene, she set her sights on becoming a full -time performer. Farasha sent a performance video to an agent in Las Vegas where she landed a contract with Aladdin Hotel Casino/Desert Dessert Passage troupe. She was also a contracted bellydance artist at Ceasars Palace and has bellydanced at Hip Hop sensation, Cardi B’s birthday party. Her career led her to perform in: NYC, USA and Tokyo,Japan. Farasha performs as a real-siliconed-tailed mermaid and is the founder of Mermaid School at the Westgate Hotel Casino. She makes mermaid appearances in a traveling aquarium tank for corporate events, most recently the MGM Grand Hotel and Downtown Las Vegas’ Arts district. Farasha also is the dancer for Three Lock Box, the Ultimate Sammy Hagar Tribute band. 

 

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